Climate’s toll on trees threatens the sound of stringed music

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Stroking a tiny spruce sapling, Swiss forest ranger Francois Villard fears the tree will not withstand global warming and live to a ripe old age like its ancestors.

“I have never seen so many dry trees,” says Villard, who is now approaching retirement.

Stiff yet light softwoods like spruce are used to make soundboards—the top of the instrument—which amplifies the vibrations of the strings.The soundboard must resonate easily with good tonal qualities while resisting the strain of the strings on the bridge—characteristics that spruce possesses better than other woods.

The tree must have grown straight, slowly and, above all, with regular annual growth so that the tree rings are uniform and tight.In the workshop of Swiss Resonance Wood, in the village of Le Brassus close to the French border, Quentin Durey sketches the outline of a guitar on a thin sheet of wood. Thousands more sheets are piled up to dry out over the years.

Spruce tonewood should therefore be used wisely, he said, questioning whether factories should be churning out a thousand guitars a month.Music of the futureAnd extreme weather conditions can affect their growth, altering the regularity of the tree rings.

 

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Climate’s toll on trees threatens the sound of stringed musicLE CHENIT, Switzerland—Stroking a tiny spruce sapling, Swiss forest ranger Francois Villard fears the tree will not withstand global warming and live to a ripe old age like its ancestors. The
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