feels like a Greek statue frozen in some tragic visage of horror.’s voice sounds delicate, angry, and exhausted, as she grieves track by track — for the unfulfilled promises of civil rights, for friends lost to drugs and depression, for the immolation of a world succumbing to ecocide. On one song, “Why Am I Alive Now?” her voice quivers and keens as she regards the discord closing in on her and her despair sounds both beautiful and moving.
But Anohni and her band, the Johnsons — named in honor of gay-rights activist Marsha P. Johnson, who gracescover — has carried the weight of her worries for decades.
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