. Backstage the designer described the musician as “my friend and a disruptor of this world”. Soundtracked by a pulsating Prodigy megamix, Donatella harnessed the fluorescent, fuck you attitude of the frontman by turning the Versace volume up.
“For this collection, I wanted to explore the elements that empower a man,” Donatella explained post-show. “It’s definitely the confidence, the freedom and desire to express himself without hesitation.” From appropriating Flint’s rave-ready double mohawk and tinted bug-eye sunglasses to the bleached tie-dye grungers and the leather daddies, stereotypes of masculinity were collaged together and challenged through tailoring, fabric, colour and print.
The spring/summer 20 men’s narrative followed the personal journey of a young man coming-of-age and finding his confidence, as status symbol boy racer cars and oversized silhouettes evoked the shapeshifting spirit that sees adolescence evolve into manhood. Artist and friend of the house Andy Dixon provided the perfect show centrepiece, a black Ferrari covered in pink, purple and white flowers, rotating in the middle of the lilac perspex catwalk.
Iconic Versace codes were put through a post-punk, new-rave kaleidoscopic filter. Colourful prints and ironic details were combined with new tailoring silhouettes that stayed true to tradition. Throughout, Donatella teased the tensions between hard and soft, juxtaposing everything from Rococo splendour and sweaty dance floors to BDSM clubs — wipe clean PVC was mixed with buttoned-up suiting. 90s nostalgia was reinvigorated in the echoes of the bondage wear of Giannia’s most iconic collections.
j'adore the look on the man with Pink hair X
STUNNING!!!!!!!
SoyGerardCortez que opinas, a mi me encantó 😍😍😍