which uses a soaring score amidst stark lighting and shadows to create what he calls a “big, revelatory feeling.” He says he worked with director of photographywho was also the cinematographer on the 2014 film that inspired this series, to find “the color within the darkness” of a purposefully bleak interior.
“There was a moment where we talked about throwing in some ad libs,” he says. “And we just came to the conclusion that it should just exist how it was written. It should be a bit of a heightened moment.” “I think it’s something like when you’re in school,” Proksch explains. “Up until college, you're in school and you learn a bunch of different things…. When you get to college, you specialize.”